King of the Yees

By Lauren Yee

Take any Chinese last name, and there exists a corresponding “family association” with branches in each major American city: Chinese men’s clubs formed over a hundred years ago after the building of the Transcontinental Railroad. The Wongs, the Chans, and–most importantly–the Yees.


For nearly twenty years, playwright Lauren Yee’s father Larry has been a driving force in the Yee Family Association. And now Lauren is writing a play. Or trying to. About legacy, about obsolescence, about the great and powerful house of Yee! Or something like that.

Dates

Thursday, November 6, 2014 at 8:00pm
Friday, November 7, 2014 at 8:00pm

Location

Studio 6

Swain Hall

Amid a backdrop of crumbling Chinatowns and all-too-lifelike museums, Lauren races through history, space, and the fourth wall to find her father’s story and chronicle this disappearing piece of American culture.King of the Yees is a new play about the communities we choose and the communities we inherit.

About the Playwright:

Lauren Yee is a playwright born and raised in San Francisco. She received her bachelor’s degree from Yale University, and her MFA in playwriting from UCSD, where she studied under Naomi Iizuka.

She was a Dramatists Guild fellow, a MacDowell fellow, a MAP Fund grantee, and a member of The Public Theater’s Emerging Writers Group. She has been a finalist for the Jerome Fellowship, the PONY Fellowship, the Princess Grace Award, the Sundance Theatre Lab, and the Wasserstein Prize. Her play Samsara has been a nominee for the Susan Smith Blackburn Prize and the L. Arnold Weissberger Award. Her work has been published by Samuel French.

Her play The Hatmaker’s Wife was an Outer Critics Circle nominee for the John Gassner Award for best play by a new American playwright. Ching Chong Chinaman was picked as a top 10 play of the year by City Pages and the East Bay Express, and Crevice was a Bay Area Theatre Critics Circle nominee for Best Play. Other honors include three Kennedy Center American College Theatre Festival playwriting awards, Kumu Kahua Theatre’s Pacific Rim Prize, and writing fellowships from the American Antiquarian Society, the Byrdcliffe Artist Colony, the Edward F. Albee Foundation, the El Gouna Writers’ Residency, the Hawthornden Castle International Retreat for Writers, and the New York Mills Cultural Center. She has also received funding from the Ludwig Vogelstein Foundation, Theatre Bay Area, and UCSD’s Institute for International, Comparative, and Area Studies, as well as an award from PlayGround’s New Play Production Fund.

Learn more at www.laurenyee.com.

The Process Series

101 E. Cameron Avenue, Rm. 105

Chapel Hill, NC   27514

uncprocessseries@gmail.com  |  (919) 843-5666

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